This changes the normal program view to multi-camera view and shows all the camera angles contained in the multi-camera source sequence.
However it is not how you will be editing the final product. This timeline view is useful for certain tasks such as applying effects to a particular camera view. If you have multiple clips for the same camera, you can manually add them to the appropriate track. In this example some of the cameras began recording later (so are missing the first part) or finished earlier (so are missing the last part). Notice how they all all adjusted in the timeline to be in sync. This opens it in a timeline with all the original clips overlaid on separate tracks as pictured below.
If you prefer, you could add a more descriptive name for your markers to make sure you use the correct one, e.g.
Timecode is typically recorded in the camera although it can be added later. This is a point at which all the camera clips are at exactly the same moment in time, so they will be in sync with each other. The first thing to do is organize your camera angle clips and set a common sync point for each of them.
PREMIERE CC MULTICAM HOW TO
Although it can take a little while to learn how to set up and use the multi-camera source sequence, once you've done it you'll probably find it much more efficient than trying to edit using a standard timeline. This provides a way to view all camera angles at the same time and switch between them (kind of like doing a live camera mix). The heart of the multi-camera system is the multi-camera source sequence. This is especially useful for situations such as live event coverage when you have several cameras showing different shots of the action, crowd, cutaways, etc. multiple camera angles of the same action.
PREMIERE CC MULTICAM PRO
Premiere Pro has a built-in system for dealing with multi-camera shoots, i.e.